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We continue the third session in the series Survey of Art in China taught by RAS’s Art Convener Julie Chun (MA, Art History), where through a systematic study, we will explore the social context in which calligraphy and ink painting emerged in China. Why is calligraphy one of the highest and the most esteemed arts in China? Was it always a critically elevated form of art? As we attempt to navigate the dense layers of mystique, the findings will astound and bemuse you. As to ink painting, which emerged first: landscape scenes or figurative elements? Which took earlier precedence: ink washes in color or monochrome? As Julie Chun provides an accessible introduction into this vast and highly important art historical field of study, many answers (as well as more questions) will arise to reveal a fascinating and insightful glimpse into China’s intriguing past that continues to inform the present.About the SpeakerJulie Chun is an independent art historian and lecturer based in Shanghai. She currently serves as the Art Convener of the Royal Asiatic Society in China where she delivers monthly lectures at museums and galleries to widen public understanding of artistic objects, past and present. She holds an MA in Art History and Visual Culture from San Jose State University and a BA in Economics from UC Irvine. She has also completed graduate studies in Asian history at Yonsei Graduate School of International Studies, Seoul and conducted research in modern art at UCLA. She is a regular contributing writer for Yishu Journal of Contemporary Chinese Art and Randian online.This museum talk is being repeated in January due to high interest. Please note that RSVP is essential due to limited space.Exact meeting location will be provided to those confirmed.
